| Three distinguished Punjabis gone Ishtiaq Ahmed Daily News: Saturday, February 17, 2007 
 The last few   weeks have brought bad and sad news about the Punjab as three of its very   distinguished sons -- Munir Niazi, Sharif Kunjahi and O P Nayyar (Omkar Prashad   Nayyar) -- left this world, one after the other. I call it a Punjabi loss for   many reasons. The first and foremost is that all three belonged to a bygone era   when the old Punjab was one and Punjabiyat had not been fractioned, bloodied and   severed. The second main reason is that all three remained steadfast in their   loyalty to Punjabi. 
 While Munir Niazi and Sharif Kunjahi expressed their   creativity and sensitivity through the Punjabi language (Niazi was an equally   accomplished poet in Urdu), O P Nayyar set tunes to immoral film songs in the   best tradition of the Punjabi school of film music whose foundations were laid   by Master Ghulam Haider. Munir Niazi was born on April 9, 1928, in the village   Khanpur, district Hoshiarpur, but had to migrate to Pakistan at the time of   partition in 1947. He died in Lahore on December 26, 2006. He expressed his   feelings on the partition in the following verses:
 
 kujh unj we raawan aukhian sann
 
 kujh gall wicch gham da tauq vi   see
 
 kujh shehr dey louk vi zalim sann
 
 kujh sanoun marran da shouq   vi see
 
 [Yes, there was the noose of grief around my neck
 
 Yes,   the citizenry was also so cruel
 
 But, ultimately, we too wanted to get   killed
 
 Yes, the path I chose was hard]
 
 His most outstanding   quality was to express philosophical ideas in rather simple language. This verse   of his has always haunted me. It captures the crisis most of us feel in thinking   differently and perhaps ahead of time:
 
 Waqt to aggey lungg jaan di   sazaa
 
 Aadmi kalla reh janda aye
 
 [The punishment for being ahead of   time is:
 
 One is left all alone]
 
 The last time I saw him was in   April 2003 at the annual meeting of the World Punjab Congress. He was presiding   over the session in which I read out a short paper deploring that the   governments in Pakistan, the federal as well as of the Punjab, have always been   hostile to the idea of promoting Punjabi as a literary and educational language.
 
 The second man of letters to depart was Professor Muhammad Sharif   Kunjahi (born 1915 in Kunjah, Gujrat). He died on January 20, 2007 at the age of   92 in Gujrat. Sharif Kunjahi was a scholar in the classical tradition – an   educationist, linguist, creative thinker and poet and much more. His knowledge   was truly encyclopaedic. His greatest, and one can say unique, contribution has   been the translation of the Quran into Punjabi. My argument in previous articles   has been that only when people can understand a religious text can one expect   them to understand it intelligently. Now, such a foundation has been laid.
 
 The problem of the Pakistani Punjab is that despite being the   numerically biggest province, its people enjoying a better standard of living   than any other province of Pakistan with the exception of Karachi, and the   majority of the Pakistani military and civil bureaucracy hailing from it, the   percentage of literacy in Punjabi of its people is scandalously low. I don't   know of any other linguistic nationality anywhere in the world where there is so   little interest in gaining proficiency in one's own mother tongue.
 
 The reasons for it go back far in history, but after the creation of   Pakistan such neglect makes no sense except those who have power think they can   hold it better by expressing themselves in English or Urdu. Therefore scholars   like Sharif Kunjahi have done a very great favour in doing serious and lasting   work in Punjabi. I interviewed him in Gujarat on April 20, 2003, on the   partition of the Punjab. He was of the opinion that Muslims resented the fact   that Hindus were economically more advanced and some practised untouchability   towards them. However, there were Hindu teachers and doctors whose selfless   service to all the communities should never be forgotten. He blamed the colonial   government agencies for fomenting communal conflicts.
 
 The third   outstanding Punjabi to depart recently was the famous music director, O P   Nayyar. He was born in Lahore on January 16, 1926, and died in Mumbai on January   28, 2007. For years I had been trying to get into contact with him in connection   with my ongoing research on the partition of the Punjab. I had read how Nayyar   Sahib so fondly remembered his city of birth. In fact in one of the interviews   on Zee TV he recalled his last days in Lahore with profound nostalgia. He left   Lahore only in 1948, hoping to stay on if things returned to normal.
 
 On   December 10, 2006 thanks to Mr Sultan Arshad, who is a true connoisseur of music   and a close friend of O P Nayyar, I could talk to the latter on the telephone.   We exchanged greetings in typical Lahori Punjabi and he agreed to give me an   interview if I came to Mumbai. I was planning such a trip in March but the news   of his death means that the interview will remain undone. However, for those who   love music and the Punjab and Lahore it would be worth noting that Nayyar's   greatest and most outstanding composition, which was also his first ever   recorded, was the immortal song 'Preetam aan milo, Dukhia jiya bulaye, Preetam   aan milo'. It was sung by the Sindhi C. H. Atma and recorded in Lahore before   partition. Nayyar composed rather soft and subdued music in his early films such   as Aasman (1952), which had Dilip Kumar's younger brother, Nasir Khan, in the   lead role. I remember seeing it in Regal Cinema in Lahore.
 
 Aar Paar (1954), Mr and Mrs 55 (1955), C.I.D. (1956) were landmarks of   his Punjabi vivacity in film music, but my favourite from that era remains his   outstanding compositions for B R Chopra's Naya Daur (1957). B R Chopra (born   1914) is another Lahori who lives in Mumbai. He is mostly seen in a wheel chair   nowadays. Chopra Sahib talked to me on January 3, 1997, in Mumbai about   Government College, Lahore. That was the first time I expressed a desire to meet   O P Nayyar but alas it could never materialise.
 
 With the departure of   Niazi, Kunjahi and Nayyar a golden chapter in Punjabi cultural achievements   nearly closes.
 
 
 
 The writer is an associate professor at the   Department of Political Science at
 
 Stockholm University in Sweden. Email: ishtiaq.ahmed@statsvet.su.se
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