Satya P Gautam  
      
      
      Reading 
      Amarjit Chandan's Poetry as Philosophy
      
      Amarjit Chandan's poetry can be read as an 
      articulation  as a phenomenology of exile  a continuous and constant 
      concern with the experiential realm of reflections  reflections 
      on situating one's locations, and transitions from those locations  of 
      sojourns and movements  of journeys in the realm of imaginary 
      consciousness   journeys through which one moves from one perspective to 
      another  attempting to see things through.
      The 
      spatio-geographical movement or relocation which Chandan 
      chose, offered him a new environment, a new experiential realm. In this 
      new environment, Chandan's relation with his linguistic-cultural heritage 
      no longer remained the same which he had lived in his intense feelings of 
      being an outsider, an exile (a state of alienation) while living in his 
      native land  the land of his ancestors. 
      The 
      dialect which we speak, the words which we hear in our waking moments, the 
      words which help us identify and differentiate the content of our sensory 
      experiences, the words by which we classify and categorise the world as 
      given/presented to us in its primordiality, the words with which we think 
      and live  these words were living in Chandan's memory and imagination 
      but absent/missing in his everyday life in his new environment. The 
      discomfort  an unease  of this strange vanishing of one's language  a 
      silence in which he had to live  the suffering of not being able to hear 
      or/and speak his language as he could, before migrating to UK  made 
      Chandan relate with his language in a novel way  living with his 
      language in memory and imagination through memory and imagination. His 
      dialect, his speech, his mother tongue  which had vanished from the 
      practical affairs of his daily existence  was now always with him in his 
      memory and imagination, all the time.
      
      Chandan's poetry is an expression of his quest and struggle to articulate 
      the silence which he experienced in his second exile. Wordlessness  a 
      wordless silence  is an experience   a feeling   (which) can sensitise 
      us towards two aspects of our embeddedness in language. 
      The 
      first kind of wordlessness we feel in and through language, despite 
      language  we feel it because we are creatures and creators of language. 
      The words are with us, around us, surrounding us, 
      words connected/linked/related with one another in their significative/signifying 
      relationships, connected so intricately/mysteriously, entangled with one 
      another in  a seemingly convoluted manner  that we finds ourselves 
      helpless  incapable of articulating our experiences  we have to struggle 
      to communicate the sense that we make of the world, of our life  we find 
      it difficult to share with others what we find full of meaning or /and 
      value for us. Despite the words, we find ourselves speechless, wordless. 
      Silence engulfs us. We suddenly find ourselves wordless. We have to find 
      ways of recovering our language, reinventing it, rediscovering it.
      The 
      intensity of the experience of the second kind of wordlessness is 
      radically different from the first kind of wordlessness. Though it 
      is rooted in, and related to our experience and acknowledgement of the 
      limits of language which we experience through first kind of wordlessness 
      mentioned above, it dawns on us only in our endeavour to go beyond 
      language, transcend the language in which we remain immersed while 
      living our everyday life routine activities and experiences. This 
      engagement with the limits of language  looking beyond the beginning and 
      the end  searching the sources of the synch/connections between words, 
      meanings and the world  brings  us to an encounter with the infinite, the 
      unbounded, the limitless, the mysterious   where the ultimate is present 
      with us, before us, but in its silence, and in our silence  here  we are 
      with silence, in silence, witnessing a silent dialogue between sense and 
      senselessness, between life and death, between value and worthlessness, 
      between hope and despair. 
      Having 
      experienced this silence, we return to language, in language. Having seen 
      the richness and poverty of the constitutive relationship between 
      language, our lived experiences of the world - and the world  which is 
      presented to us in and through language  always remains beyond language. 
      We keep on making efforts to capture this elusive, but not illusory, 
      world.
      Poetry 
      helps us in our struggle to capture the wonders and mysteries of this 
      elusive world, and makes us hope that our struggle is not futile. In this 
      struggle, our relation with our first language is primordial and unique, 
      constitutive and and foundational.  Perhaps, we need some aloofness and 
      distance (perhaps sometimes by quirk of chance, but sometimes by choice 
      and cultivation) from the state of immersion in our language to appreciate 
      the richness of this relationship at a reflective level. This reflective 
      stance has found an articulation either through poetry or 
      through philosophy. But the best moment is the moment when poetry and 
      philosophy become one. This unity is the achievement of Chandan's poetry.
      �
      
       March 2009
      
      
      
      Satya P Gautam, 
      Professor of Philosophy, is Vice-Chancellor of Mahatma Jyotiba Phule 
      Rohilkhand University Bareilly, India.
      
      
       
      
      
      
      http://amarjitchandan.tripod.com